Tuesday, 24 May 2011

Bollywood: 2011 to End on a High?

Big-budget blockbusters, low-budget Indies, films with women in the lead and films made with critics in mind, this year Bollywood holds nothing back to promise us one of the biggest and most entertaining years yet.

For all the talk of how some of the new age films are leaps and bounds ahead of multi-crore blockbusters, the fact still remains that these big-budget films fill the Box Office coffers. Of course on occasions a low-budget film like Tere Bin Laden or a Love, Sex Aur Dhoka will do well at the Box Office, but the real money still comes from these so called biggies.

The first half of this year has been a mixed bag of sorts with some films doing really well and some much anticipated films doing badly. Films like No One Killed Jessica with two actresses in the lead broke all norms and raked in Rs. 40 crore while the much anticipated film Dhobi Ghat starring Aamir Khan failed miserably.

But as we enter the business part of the year, we can look forward to some big films coming our way.


The first to watch out for is Zoya Akhtar’s Zindagi Na Milegi Dobara starring Hrithik Roshan, Farhan Akhtar, Abhay Deol, Katrina Kaif and Kalki Koechlin. It is the story of three best friends who set out on a bachelor trip to Spain where they rediscover life and deal with their own problems. Katrina’s character is said to inspire them to live their lives to the fullest and have fun while it lasts. This brings back the fond memories of the all-boys film Dil Chahta Hai. This seems like an interesting film, especially from the urban multiplex audience perspective. This might just turn out to be Zoya’s Dil Chahta Hai.

Next up is Imtiaz Ali’s Rockstar starring the current heartthrob Ranbir Kapoor, debutant Nargis Fakhri and Aditi Rao Hydari. Rock Star is about a young super-successful musician who doesn’t believe in love but is advised to fall in love to enrich the expanse of musical experience and become emotionally richer. He does allow himself to fall in love but finds it impossible to fall out of love when asked to do so. With two of the most talented names coming together for a film, it is hardly surprising that the expectations are already sky-high. With maestro A. R. Rahman providing the music score, there is a lot to look for in this film. But it isn’t only the film that is in the spotlight, rumours are flying in B-Town linking Ranbir with Nargis. We will have to wait and see how true these rumours are, but in the meanwhile we can safely say that this film is going to be huge.


Releasing on Eid is Salman Khan’s My Love Story also starring Kareena Kapoor and is a remake of a Telugu film Bodyguard. The story revolves around young Lovely Singh (Salman), who has a very strange habit that is he adulates anyone with a trace of heroism. Whenever he develops an admiration towards a person, he prefers to move with that person as a sort of bodyguard. Salman Khan usually carries a film on his courage of conviction rather than any element related to the film. His fans would definitely patronise this film but the success depends on how forgiving audiences are at the given point in time. His last film Dabanng is one such example where the film was a massive hit only because of Salman’s star power rather than it being a good film. So let’s wait and see how good this might be.

Sriram Raghavan’s Agent Vinod is one which I can’t wait to watch. Starring Saif Ali Khan and Kareena Kapoor as his girlfriend it is being said that this film is similar to that of James Bond and I’m sure it will be another one of Sriram’s film noirs ala Johnny Gaddar and Ek Haseena Thi.


Another film am looking forward to is Karan Johar’s remake of the 90’s classic Agneepath. The original was an instant classic and Amitabh Bachhan’s character of Vijay Dinanath Chahaun, the vengeful underworld don, has gone down in the history books as one of the most memorable characters in Bollywood history. The remake has been in the news ever since Hrithik Roshan was announced as the lead, since it was expected that Amitabh’s son Abhishek Bachhan would be the one to emulate his father. Another surprise has been the exclusion of Mithun Chakraborty’s memorable character of Krishnan Iyer MA in the remake. Johar has promised that the remake will be big and on an international stage with shooting all around the globe.  Interesting though it might sound, we will have to wait and watch how well the remake lives up to the original’s cult status.

Last and probably this year’s most awaited film is Anubhav Sinha’s Ra. One starring some of the biggest names in the industry with the likes of Sharukh Khan, Arjun Rampal and Kareena Kapoor in the lead. Sharukh plays the protagonist G. One and Arjun plays the villain. Since Shankar’s sci-fi film Robot was a massive hit, the standards for this film have been raised several notches up. This has the potential to be the biggest hit of this year and the buzz around the film is bound to lure the audiences to screens. Lets hope that Shahrukh's most ambitious project yet isn't like Akshay Kumar's Chaandni Chowk to China.


Happy watching!!

Wednesday, 18 May 2011

From 'Heroine' to 'Actress'


The phrase ‘women-centric films in Bollywood’ suggests films focusing on the issues faced by women in today’s society. Never will you find an Indian actress wielding guns and kicking ass. They are more likely to be portrayed as a helpless mother, devoted wife, over-caring sister, daughter or a vamp. But it looks likes the times they are a changing.

Women-centric films have always been able to target only a very niche audience. Though they have brought women into the spotlight and got critical acclaim, they haven’t been commercial hits. Films like Fiza (2000), Chandni Bar (2001), Chameli (2003), Satta (2003), Dor (2006) and Corporate (2006) were a critical success but a dud at Box office.

If you look back in history, Bollywood has always been a domain ruled by male actors. All the major hits and commercial successes have had a superstar actor in the lead. The three Khans namely Aamir Khan, Sharukh Khan and Salman Khan are credited with bringing Bollywood to where it is today. Many films with one of them in the lead have worked on their star power alone. Such a thing can never happen with an Indian actress. Producer Ekta Kapoor summed this up in an interview when she said: “In cinema, it’s the males you idolize and the females you fantasize about.”

The films responsible for the change...

But now directors like Vishal Bharadwaj and newcomers Alankrita Shrivastava and Rajkumar Gupta are trying to break the mould and present women in a more realistic and unconventional way. Gupta’s film ‘No One Killed Jessica’ breaks the norm by casting two actresses in the lead rather than a leading male actor. Starring Vidya Balan and Rani Mukherji, the film created a buzz as it was inspired by the 1999 murder of model Jessica Lall.

Films as they say are a reflection of real life. Women in India and around the world are redefining their status and role in society and that is being reflected in Hindi cinema. Women are no longer the shy or sensitive sorts who hide behind the veil, but very much on par with men. Power is slowly being balanced in today’s world and it is becoming evident with these films.

It is so refreshing to see the change in the way women are being portrayed on the screen. 
In the 80's and 90's there were some really perverse depictions of women, objectifying them to the core and making them appear like air heads. But Aisha proved that today’s female characters can be strong minded and contain substance, which is probably why the word ‘heroine’ is gradually being replaced by ‘actress'.

Other films like Bharadwaj’s ‘7 Khoon Maaf’ and Alankrita’s ‘Turning 30’ have women in important lead parts and ‘Aisha’, a modern adaptation of the 1815 British novel Emma by Jane Austen is the best example. It was well received by the audience. These films are also raking in the moolah which will only encourage the directors to make more such films. Aisha grossed a total of Rs. 18.75 crore at the box office, while No One Killed Jessica, made on a budget of Rs. 9 crore generated a business of Rs. 40 crore worldwide.

And it doesn’t stop there as Bharadwaj is yet again gearing up to make another female oriented film that is inspired from a chapter of writer S. Hussain Zaidi's book, 'Mafia Queens of Mumbai'. Nagesh Kukunoor director of Dor is currently making a film ‘Mod’ starring Ayesha Takia in the lead.

Friday, 15 April 2011

A Writer's Block...


The good old cursor

I sit in my room staring at the blank white space of MSWord and the blinking cursor waiting for me to start typing so that it can race all across the screen. Its only purpose in life it seems is to race from one end of the page to the other leaving behind a slew of letters and words. A noble profession I might add considering how the lives and careers of writers and journalists around the world depend upon this blinking black line.

You might be wondering at this point, where exactly I am going here. Well the simple answer to that is nowhere. I have been struck by the one disease writers fear the most; Writer’s Block. It is a condition, in which a writer loses the ability to produce new work.

This is how my mind must look like now.
Ever since the World Cup concluded I have been thinking of something good to write about but have yet to find anything. I have tried my usual methods of thinking, i.e., staring outside the window, looking at the clouds and the sky, drinking coffee, listening to classical music, taking long showers and day dreaming, but to no avail. My mind it seems has just gone blank.

I've not gone mad, far from it. When it comes to talking or chatting with friends, I come up with hundreds of things to talk and discuss about. But the moment I sit down to write, my mind goes blank. It is as if there is a wall isolating the part of my mind that is necessary for writing from the rest. Try as I might I cannot break or scale this wall, it’s just too high and impenetrable.

In a funny way this wall reminds me of the advertisement for Ambhuja Cement. It is the one where two families try to break the wall separating them using all the means in hand including a stick of dynamite. When nothing works a voice in the background says, “Tutega kaise, Ambhuja Cementse jo bana hai”. It is the same voice I hear every time I try breaking the wall in my mind. This block is making me crazy!

On a serious note though, as I write this piece, I cannot help but wonder, ‘What if this thing happens to me when I’m in a job?’ The answer though quite simple is very scary. I better get myself out of this misery soon!  

Sunday, 3 April 2011

India the World Champions...


the moment...

As the ball left Mahendra Singh Dhoni’s bat and sailed high over the boundary rope, there was a collective roar by 2 billion people. A roar which reverberated across the globe reaching every corner of the world announcing the arrival of India, the world champions in cricket. Yes, after a long wait of 28 years India has again captured the Holy Grail of cricket; the Cricket World Cup.

The great Muhammad Ali once said that, ‘Champions are made from something they have deep inside them – a desire, a dream, a vision’. The Indian cricket team proved this today. After the catastrophe that was the 2007 World Cup, it didn’t look like Indian cricket would reach the top of the rankings much less win another World Cup. There was a need for massive rebuilding and restructuring. It was a time to bid farewell to the old and welcome the new.

It all began with the new captain Mahendra Singh Dhoni’s desire to be the absolute best. He is a born leader and it immediately showed when he brought in young players to form a great mix of young and old in the team. His desire and positivity rubbed onto his team mates as the team steadily climbed to the top of the rankings in both the ODIs and Tests. The team also won the inaugural Twenty20 World Cup. Things became better and better as the team’s performances hit a consistent high and it also showed in the results.

They even dared to dream of winning a World Cup again and it was no surprise then that India entered into this World Cup as favourites to win. Things began well but hit a low as they tied a match against England and lost to the South Africans. But instead of being bogged down, the team rose to the occasion with every player playing his role. The stellar performances against Australia and Pakistan showed the character of the team and the players. Today against the Sri Lankans this was even more evident when having lost two early wickets they held their nerves to come up top in one of the most exciting World Cup finals.

Players like Yuvraj Singh, Sachin Tendulkar, Gautam Gambhir, Zaheer Khan, Dhoni and Harbhajan Singh lead by an example and inspired the others to perform. Players started peaking at the right moment. Suresh Raina came from the bench to finish off a very crucial game against the Australians. Nehra after having a horrid match against the South Africans came back with a strong performance against Pakistan in the semi-finals. Dhoni though leading the team from the front, saved his best for the last as he played one of his best innings when it mattered the most, in the finals.

A vision that was created in 1983 as a relatively unheard team felled the giants of cricket to lift the World Cup has been achieved again. It has taken 28 years of hard work and passion to achieve it but the wait has been worth every moment. A country which has been many a time blamed to be underachievers has answered her critics. Today as the Indian cricket team lifted the World Cup, I was ecstatic and I had tears in my eyes. But like Sachin I couldn't stop them or cared as they were the tears of happiness and pride. 

The World Champions of 2011...